V Is For Vampy
(This Stripped column originally appeared in the October 2-9, 1997 Long Island Voice. Click on the artwork for a larger image. Note: The artwork below is in black and white, even though the actual art is in color, due to the size of the files required to maintain quality.)
by Beth Hannan Rimmels
Vampirella has long been a guilty favorite of mine. Well, maybe "guilty" is a little harsh, but when Im extolling the intelligence and diversity of comics today, Vampirella doesnt spring to the top of the list, which is a shame because it is good.
I think part of the problem is that its easy for people to assume Vampirella is just another bad girl book and it takes longer to explain that its not than the few seconds I have before a non-comics readers eyes glaze over from lack of interest. Far from it, Vampirella is "tits and ass" above bad girl books like Lady Death. Hell, Lady Death isnt fit to touch Vampirellas thigh-high, spiked boots. But thats a rant for another day. If I go into that today, I wont get to the best part.
The best part, or one of several great news items, is a new Vampirella miniseries hitting the stores now, Vampirella: Blood Lust. Why is it great? First, its fully painted by Joe Jusko, known for his work on Marvel Masterpieces and its gorgeous. I originally only saw B&W photocopies of the first issue, which usually doesnt do artwork justice. In this case, the quality still shined through. Then I saw a color sample that had me salivating for the real first issue even though Ive read it. Better yet, the story is by James Robinson, whose work I grow more fond of with time.
The rest of the good news includes the fact that Vampirellas going monthly (so far its been one miniseries after another) as of November and will be written by Mark Millar and (drum roll, please) Grant Morrison. Yes, that Grant Morrison from The Invisibles and the new JLA. Pencils by Amanda Connor are icing on the cake.
Before that, in October, of course, Harris will celebrate Draculas 100th anniversary with Vampirella/Dracula: The Centennial. The prestige format one-shot features a painted cover by John Bolton and contains three stories: "Vampirella vs. Dracula" by James Robinson, David Mack and Rick Mays; "Necromance" by Warren Ellis and Mark Beachum; and, perhaps most surprising, "Dracula for the Millennium" by Alan Moore and Gary Frank. Yes, the Alan Moore whose seminal work on Watchman, V for Vendetta, Give Me Liberty and more redefined comics as well as leading the Brit invasion that included Neil Gaiman, Grant Morrison, Garth Ennis and others. Im dying to see this one.
Also interesting is a Vampirella Crossover Gallery (a cool twist Im surprised no ones done before) and Vampirella/Shi. Ive only seen samples of both, but they look good.
So stop reading the bloodless knock-offs and pick up Vampirella. The arts easy on the eyes, if tough on the hormones, and the stories are entertaining. Just skip the garlic with dinner first.
Column © 1997 Long Island Voice. Artwork © 1997 Harris Comics.